Aug. 1, 2025

Exploring Single Fatherhood and Vulnerability with 'Guys Night' Creators

The creative team behind the upcoming film 'Guys Night,' a heartfelt and nostalgic exploration of fatherhood, vulnerability, and masculinity, is inspired by growing up with a single dad in the 1980s.

Exploring Divorce and Fatherhood with the Team Behind 'Guys Night' Movie

In this episode of Real Men Feel, host Andy Grant delves into themes of fatherhood, vulnerability, and masculinity with the creative team behind the upcoming film 'Guys Night.' Writer, producer, and actor Niko Vitacco, director Dave Eichhorn, and producer Andrew Baird discuss how the film, inspired by Niko's childhood with a single dad, tackles emotional openness and resilience during difficult times.

They explore the impact of divorce, the importance of showing emotional vulnerability, and the support gaps for single fathers. The episode also touches on the challenges of indie filmmaking and the power of storytelling to foster empathy and healing.

00:00 Introduction: The Power of Movies
00:27 Welcome to Real Men Feel
00:30 Meet the Creative Team Behind 'Guys Night'
01:35 The Inspiration Behind 'Guys Night'
03:08 The Importance of Telling This Story Now
04:53 Emotional Vulnerability and Personal Discoveries
07:04 The Role of a Producer in Filmmaking
09:05 Directing 'Guys Night': A Personal Connection
12:36 Production Challenges and Community Support
16:13 Impact on Personal Relationships
27:28 Nostalgia and the 1980s Setting
29:47 How to Support 'Guys Night'
31:48 Final Thoughts and Hopes for the Film

Connect with Guys Night
Support the cause -- https://givebutter.com/guysnight
Website -- https://guysnightmovie.com
Instagram -- https://www.instagram.com/guysnightmovie/

Connect with Andy and the Real Men Feel Podcast:
Join the Authentic AF Community | ⁠http://realmenfeel.org/groupInstagram | @realmenfeelshow & @theandygrant
Andy Grant Website | https://theandygrant.com for coaching, healing, and book info!
Real Men Feel Website | http://realmenfeel.org
YouTube | https://youtube.com/realmenfeel

#RealMenFeel ep 364

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You know, that's what we all
love about movies that, you

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know, when you just sit there
and you just and you used a

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great word, absorb.
You know, I just want people to

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be able to absorb this movie.
And but yeah, you want to make

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something that's meaningful and,
and, and that really changes

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people and effects them and
makes them cry, makes them

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laugh, that at all.
I would, I would second all of

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that.
Maybe just add that you have to

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show people that even in the
rough times, there's still

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positivity to be found and
within yourself, within your

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family, within your community.
So hello and.

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Welcome to Real Men Feel, I'm
your host Andy Grant.

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Today we're diving into
fatherhood, vulnerability, and

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what it means to be a man.
With the creative team behind

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the upcoming film Guys Night.
I'm joined by writer, producer

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and actor Nico Vitaco, director,
editor and sound designer Dave

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Eicorn and producer Andrew
Baird.

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Together, they're bringing to
life a story based on Nico's own

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experience growing up with a
single dad, exploring the

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emotional journey of a man
learning that true strength

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comes from presence, honesty,
and heart.

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We talk about divorce, emotional
openness, masculinity, and why

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it's time for more stories that
show men feeling and healing.

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And if these conversations
resonate with you and you want

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to go deeper, I invite you to
join my new private online

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community, Authentic AF.
This is a safe space to be raw,

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real and supported.
No masks, no macho BS Check it

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out at realmenfeel.org/group.
Let's do it.

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Hello guys and welcome to Real
Men Feel.

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Hey, lady.
Great to be here.

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Thank you for having us.
I'm going to throw this up to

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all of you.
And we'll, we'll.

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Start at the start.
Tell me what inspired guys

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night.
Oh, hey everybody.

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My name is Nico Vitaco.
I'm the writer, producer and the

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actor of Guys Night.
It was inspired by my childhood

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growing up.
It's a it's a heart filled

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coming of age film inspired by
my real life growing up with my

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two brothers single dad in 1980s
Hometown, IL, which is the real

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name of a town called Hometown.
When our mom left, my dad, who

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had no road map for raising
three boys on his own, started a

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weekly ritual called Guys Night,
which was every Friday night.

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We'd rent VHS tapes, we'd grab
our favorite chips and pop and

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just stay up late.
Just be together and just be

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together.
It wasn't perfect, but it was

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his way of saying I'm here and
I'm not going anywhere.

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At its core, I feel like this
story is really about

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fatherhood, divorce and
resilience.

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It's about the battles that we
fight as parents, or sometimes

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you have to lose a few to win
the war, which is raising your

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kids rights.
It's a very funny, nostalgic and

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full of 80s heart.
But it's also honest and healing

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to tribute to every father who's
tried their best, to every son

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who's needed more than when his
dad knew how to give into the

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power of just simply showing up,
even when it's hard.

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Why is it important that this
story be told now?

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I think, I think it's important
it's told now because in

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general, universally, I feel
like men haven't been given the

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full support through single
fatherhood that women have been

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given, which they're very
deserved to have been given.

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Women are very deserving of the
full support that they've been

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given.
But I feel like men haven't been

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given that full support.
And a lot of men universally,

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even me growing up were taught
to bury your feelings, not

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taught to bury your feelings,
but we were taught to not

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express and wear our emotions on
our sleeve.

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My father was a very stoic man,
did just that.

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He loved deeply with his with
his heart, but he didn't know

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how to express that, especially
to his sons, especially to the

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one son who needed it express
the most.

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So I think it's important to
tell now because just for me

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personally, writing this script
has just been therapeutic to get

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out because I never knew how to
deal with my own family's

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divorce and who I became as a
man.

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It, it shaped me, but I wanted
to learn how and why it shaped

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me.
And I wanted to be able to

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express that and see if me
telling my personal story would

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resonate at all with any other
men, women, father, son, just

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anyone who's been through a
similar situation.

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I think it's just, I think it's
important to show men that we

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can be different than what we've
been perceived to be.

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Yeah, I I can't agree more.
I wonder, since this is so

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autobiographical, has there been
a really surprising moment of

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emotional vulnerability that
that's that's that's kind of

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shocked you during this process
anywhere along the way?

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Yes, yes and no.
I think I learned a lot.

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Well, I learned a lot about my
dad that I didn't know prior to

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all this stuff.
I mean, I, I had to separate

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myself as the sun and bring in
myself as the writer, producer

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of this.
But still, it's, I'm, I'm

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attached to it all emotionally.
So there are some things where

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seeing my dad be so vulnerable
and really open up about his

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life and his marriage with my
mom and what he thought he was

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doing.
The what he thought he was doing

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was the best he, he could do at
the time.

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Was, was really, I wouldn't say
shocking to me, but it was eye

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opening to me.
It, it let my guard down.

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It's showing how vulnerable he
was.

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It showed me a different side of
him on how he had wished he had

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been different than growing up
or, or raising us.

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So I think throughout the whole
process there have been like

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moments, roller coasters of
vulnerable moments where I've

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just really, I've given myself
fully to the project and to the

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discoveries that I've made
throughout the the, the journey

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of it.
I was gonna add to it just on

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the emotional connection side,
outside of Nico's family story,

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it's just the emotional
connection of the town itself,

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of hometown.
I'm sure we'll probably get in

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this a little bit, but it's just
cool to see this community that

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Niko grew up in still exists in
all of its glory.

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And it's just, it's once we've
been bringing this, you know,

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going to Hometown here and there
with the story, with the script,

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what we're trying to do.
It's just cool to see the town

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come together like how can we
help you?

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We love this.
We want to get hometown out

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there.
So just to see just that

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emotional connection to just
thinking on the the other side

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of just this town is really,
really cool and and uplifting.

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Andrew, for people not familiar
with the world of movie making,

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what's the role of a producer?
Oh, it depends on the day you

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ask me.
Is my my real answer to that?

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No, I mean the role of a
producer, like I said, it's

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tenfold.
You'll see a bunch of different

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credits on the screen as they
roll, right?

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Executive producers, producers,
Co producers, associate

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producers, and they all had do
have specific roles to them.

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EPS are generally more finance
side things.

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Co producers and APS are people
that maybe have connections to

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the production side but are
maybe just getting started or,

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you know, getting that credit to
be based on what they've

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contributed to the script.
But the producer himself or

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herself is, I guess someone is
kind of the outside of the

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director Dave here, the glue
that kind of helps to hold the

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production together and to keep
it moving in the direction it

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needs to go so we can get a
successful final product.

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That can mean anything from
negotiating with vendors to cast

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and crew to I always joke that
I'm the onset therapist when

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we're shooting.
So a lot of fires always happen.

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So it's like, OK, cool, what
fire are we going to deal with

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today?
In a good way, right.

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You're not not in a bad.
It's always a.

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It's a problem solving role for
sure.

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I remember in the beginning when
we were talking with Andrew, he

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had said he, he mentioned, he
said expect the worst thing to

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happen because like it, it will,
especially in indie filmmaking,

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like the some things will be
thrown at you.

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They're so unexpected.
And that that's just it.

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So you know he is the role of
like the problems.

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Can I say expect the worst thing
or just expect the unexpected?

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Sorry, expect the unexpected.
Yeah, I'm sorry.

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The best not expect the worst
thing.

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Expect the unexpected to to
happen.

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Which always happens, yes, no
matter how well your plan.

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Yeah, things going to go.
It's so true too, yeah, and it's

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so different.
And it's usually just fine, so.

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See how Nico?
It's interesting to see how your

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brain works.
Expected, unexpected, and you

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went.
Very negative, Like Oh no.

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What's the worst thing I can
ask?

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So, so Dave, you're the director
of Guys Night and you've worked

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on some major productions in
your career.

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What What drew you to this
project?

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Oh man, you know, when I read
the script, I loved it.

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It's just a great story, you
know, actually fits right into

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the real men feel paradigm
because the main character is

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who Nico's going to play is
Anthony.

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It's his father.
He's playing his own father.

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And this man is going through a
divorce, but is very, as Nico

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likes to say, stoic.
He is he, he, he buries all of

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his feelings as men do.
And, and, and for two reasons,

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because he wants to show his
kids that everything's OK.

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And because he's just not
developed enough to, you know,

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he has that mentality that he
learned, don't show your

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feelings, you know, don't be
vulnerable.

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Just he's really closed up.
And I like that story.

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And this man goes on an arc, an
emotional arc where he learns

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through throughout the course of
the film to to feel, you know,

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that's what, you know, the name
of this podcast.

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Real men feel right.
And it's it's really right up.

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That's that's what this movie is
about in large part.

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Yeah.
So I, I, I like, I just I I've

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never worked on a movie about
divorce.

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You know, I'm a child of
divorce.

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I've had divorce around me.
But since I was like, since I

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was born basically like uncles
and grandparents were divorced.

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And so I grew up with that and
then my parents got divorced

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when I was 11.
And so it really studies that

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great way in a great way.
And so I know Nico, in writing

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this, it was kind of therapeutic
for you, Andrew, has has your

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involvement proven to be healing
in any way?

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In a, in a, in a sense I've,
I've definitely found again,

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it's such a a powerful story and
heart warming story where I

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think that's kind of the beauty
of it.

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No matter who is reading it or
watching it, they can find

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something in it to really take
away.

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I mean, I've luckily not a knock
on wood child of divorce, but

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there has been divorce in my
family.

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So it's been kind of AII
definitely connect with the

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stoic part of it 'cause we're
very stoic family on my dad's

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side.
My, the, yeah, pretty much my

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dad's side.
So it's been nice to kind of

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connect to that part of it
going, oh, wait, hold on a

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second.
It is nice to OK to be more

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vulnerable and, you know,
express our emotions more and

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more.
So definitely in that case been

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involved in this project has has
really hit home for me.

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Yeah, it, it explores
dysfunction, you know, and, and

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that that always interests me
too.

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Just just dysfunctional family
drama.

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And those are the kind of movies
I like to watch.

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You know, watching the healing
process.

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I think it's it's, and that's,
that's another thing about this

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movie is it's, it's, you know,
families and kids and mothers

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00:11:09,840 --> 00:11:13,080
and fathers are going to get a
lot out of this because it's,

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00:11:13,080 --> 00:11:17,840
it's, it's what's the word
cathartic to watch others going

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through what you're going
through, you know, and seeing

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how they deal with it.
And it makes you feel like, oh,

218
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wow.
So OK.

219
00:11:26,640 --> 00:11:27,680
It's normal.
Yeah.

220
00:11:28,040 --> 00:11:30,120
And this is, yeah, it's, it's
healing.

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Is production underway?
Is production completed?

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00:11:33,040 --> 00:11:34,360
Where we're out?
Where are we in that?

223
00:11:34,480 --> 00:11:37,240
Cause so production is in, we're
in a late development stage

224
00:11:37,280 --> 00:11:40,240
right now.
We are just to give you a little

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00:11:40,240 --> 00:11:42,280
bit of a back story.
We were set to go into

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00:11:42,280 --> 00:11:47,680
production early in 2023.
We had a financier on board.

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00:11:47,760 --> 00:11:51,920
The actors and writers strike
kind of put us on pause in the

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00:11:51,920 --> 00:11:54,320
meantime.
And then after the strike was

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ratified, our financier had some
hiccups with other things going

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00:12:00,240 --> 00:12:02,360
on.
Ultimately, we lost our

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00:12:02,360 --> 00:12:05,400
financing and that route.
And so we kind of put our brains

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00:12:05,400 --> 00:12:09,320
together and found new momentum
on how to still push forward

233
00:12:09,320 --> 00:12:12,520
because obviously we want to
tell the story what we want to

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00:12:12,520 --> 00:12:15,640
share and get it out there.
So we've been working with in

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00:12:15,720 --> 00:12:18,200
putting different feelers out
there, working on in different

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00:12:18,200 --> 00:12:20,720
avenues to get ourselves into
production.

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00:12:20,880 --> 00:12:24,400
One of those being we've teamed
up with a fiscal sponsor with

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00:12:24,440 --> 00:12:29,240
Independent Film Alliance
Chicago to receive 100% tax

239
00:12:29,240 --> 00:12:35,480
deductible donations to raise
our initial 25% equity because

240
00:12:35,480 --> 00:12:39,000
we also have a debt partner
who's lined up to trigger the

241
00:12:39,000 --> 00:12:42,080
rest of the financing if we do
raise that that initial equity.

242
00:12:42,360 --> 00:12:46,680
We have so many people so much
support in this.

243
00:12:46,680 --> 00:12:49,840
Like you said, I, I feel like
just this story alone and the

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00:12:49,840 --> 00:12:53,160
story we want to tell resonates
so much with so many different

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00:12:53,160 --> 00:12:55,200
groups, organizations and, and
people.

246
00:12:55,440 --> 00:12:59,920
We've linked up with a ton of
men's mental health groups,

247
00:13:00,640 --> 00:13:04,360
men's support organizations,
divorce support, parenting

248
00:13:04,560 --> 00:13:08,680
organizations, and that's just
like that that that community

249
00:13:08,800 --> 00:13:12,920
who are helping to spread the
word and extend our reach within

250
00:13:12,920 --> 00:13:16,000
their network as well.
We have, like Andrew mentioned,

251
00:13:16,160 --> 00:13:21,720
hometown, which is this small
4500 person town 20 minutes

252
00:13:21,720 --> 00:13:26,200
outside of the great city of
Chicago There in there's huge,

253
00:13:26,520 --> 00:13:28,160
immense about amount of support
there.

254
00:13:28,240 --> 00:13:31,440
Everyone from the mayor and the
police chief who was who's all

255
00:13:31,520 --> 00:13:35,240
spreading the word, trying to
bring in the biggest thing we

256
00:13:35,240 --> 00:13:37,440
need, which is the, the
financing, the money.

257
00:13:37,440 --> 00:13:43,280
But I feel like this route that
we're on now, I'm in a way

258
00:13:43,280 --> 00:13:46,480
thankful that the film didn't go
into production in 2023 because

259
00:13:46,480 --> 00:13:47,880
it would have been too easy for
us.

260
00:13:48,240 --> 00:13:52,000
I feel like this path we're on
now has such more, has so much

261
00:13:52,000 --> 00:13:55,920
more meaning to it.
I didn't realize the depth and

262
00:13:56,720 --> 00:14:00,480
the healing that this story
could could tell and, and could

263
00:14:00,480 --> 00:14:03,400
do for people.
And I didn't realize the, how

264
00:14:03,520 --> 00:14:06,720
the community that it could
bring in and, and the, the, the

265
00:14:06,720 --> 00:14:09,280
amount of groups and people it
could, it could touch and, and

266
00:14:09,280 --> 00:14:11,920
who would come on board to help
support it and get the word out

267
00:14:11,920 --> 00:14:14,000
there.
And that's really powerful.

268
00:14:14,000 --> 00:14:17,320
And like, that's like, that
fills my heart so much.

269
00:14:17,560 --> 00:14:21,000
So I love this longer path.
As much as I want to go into

270
00:14:21,000 --> 00:14:24,440
production soon, and we will, I
know we will, I feel like this

271
00:14:24,440 --> 00:14:28,960
is the right path to be on.
And so it's up to, it's up to

272
00:14:28,960 --> 00:14:33,080
God to decide when it's going to
happen.

273
00:14:33,080 --> 00:14:35,240
It is going to happen.
But it's, you know, I've, I've

274
00:14:35,240 --> 00:14:38,400
released that control on trying
to decide when it is.

275
00:14:38,440 --> 00:14:42,640
I just I, I give it to God in
the universe to to decide when

276
00:14:42,640 --> 00:14:45,840
that's happening.
You you did mention that this

277
00:14:45,840 --> 00:14:48,720
project has helped you kind of
understand or get to know your

278
00:14:48,720 --> 00:14:52,640
father better.
I wonder what what other ways

279
00:14:52,640 --> 00:14:56,400
has this project influenced all
of your relationships with your

280
00:14:56,400 --> 00:15:00,600
families?
For me, it's influenced it.

281
00:15:00,600 --> 00:15:04,120
It's actually helped my, my own
life.

282
00:15:04,120 --> 00:15:06,960
Like I'm, I'm married for 19
years this August.

283
00:15:07,120 --> 00:15:12,320
I don't have any kids of my own.
But I think for me personally,

284
00:15:12,320 --> 00:15:15,800
like my story growing up and
seeing what my parents went

285
00:15:15,800 --> 00:15:19,800
through, seeing the aftermath of
it all that my, my brothers and

286
00:15:19,800 --> 00:15:24,160
I dealt with and how we dealt
with or didn't deal with with

287
00:15:24,200 --> 00:15:28,760
the, the, the divorce, it
influenced my own relationship

288
00:15:29,080 --> 00:15:30,680
and especially with, with my, my
wife.

289
00:15:30,680 --> 00:15:34,560
We dated for about 5 years
before I proposed to her.

290
00:15:34,640 --> 00:15:37,800
And it wasn't because I didn't
love her or anything.

291
00:15:37,800 --> 00:15:40,880
I loved her tremendously, but I
was scared.

292
00:15:41,080 --> 00:15:44,200
I was scared to make the same
mistake as my parents did.

293
00:15:44,560 --> 00:15:48,520
I saw how it tore them apart,
how it tore our family apart.

294
00:15:48,520 --> 00:15:51,760
I saw how each of my brothers
dealt with it differently.

295
00:15:51,880 --> 00:15:56,480
You know, truthfully, like we've
each dealt with this, their this

296
00:15:56,480 --> 00:15:58,760
divorce so much differently from
each other.

297
00:15:58,880 --> 00:16:02,000
And my older brother's still
struggling a lot with it.

298
00:16:02,280 --> 00:16:04,840
My younger brother is a very
stoic guy.

299
00:16:04,880 --> 00:16:10,760
I love them both so much, but he
buries a lot of it and it it, it

300
00:16:10,760 --> 00:16:13,560
hasn't hasn't really like tapped
into to deal with it.

301
00:16:13,880 --> 00:16:18,320
I found that talking about it
and writing this really helped

302
00:16:18,320 --> 00:16:21,560
me personally see it from
different perspectives than just

303
00:16:21,560 --> 00:16:24,080
my own.
And I think that was important.

304
00:16:24,080 --> 00:16:27,880
I was able to see from my, my
dad's perspective, obviously,

305
00:16:28,160 --> 00:16:30,040
but also my mom's perspective
too.

306
00:16:30,520 --> 00:16:34,240
Talking to her about it, getting
her blessing and, and sharing

307
00:16:34,240 --> 00:16:38,760
with her the story I wanted to
tell, but also telling her story

308
00:16:38,880 --> 00:16:40,840
truthfully and authentically
along with that.

309
00:16:41,560 --> 00:16:47,400
So it's just been, it's been
helpful for me to approach my

310
00:16:47,400 --> 00:16:51,120
current marriage too, and to
keep that strong and, and and

311
00:16:51,120 --> 00:16:54,680
tight and open to communication,
but also like other

312
00:16:54,680 --> 00:16:57,080
relationships with anybody I I
interact with as well.

313
00:16:58,000 --> 00:17:00,400
Dave, how about you?
How has this impacted your

314
00:17:00,400 --> 00:17:03,520
family relationships?
There's not many of us left, you

315
00:17:03,520 --> 00:17:08,319
know, my brother and sister are
pretty much all the stuff to my

316
00:17:08,319 --> 00:17:10,760
family.
They live we're we're we're not,

317
00:17:10,960 --> 00:17:16,000
you know, super close.
So, I mean, I don't really have

318
00:17:16,000 --> 00:17:20,079
a story about that.
You know, after the film is

319
00:17:20,079 --> 00:17:24,480
made, it'll be a great thing.
And, you know, I mean, in this

320
00:17:24,480 --> 00:17:28,079
business, I go from, I go from
job to job and, and it's, it's

321
00:17:28,079 --> 00:17:30,640
always good to just be involved
on a film because that's,

322
00:17:30,640 --> 00:17:33,520
that's, that's, that's the goal.
You know, that your family work

323
00:17:33,520 --> 00:17:35,680
in the industry.
I mean, the, the film industry,

324
00:17:35,680 --> 00:17:37,400
Yeah, I've been in this 3 1/2
decades.

325
00:17:37,400 --> 00:17:38,880
It's what I do.
It's my bread and butter.

326
00:17:38,880 --> 00:17:43,520
So yes, I'm just, I'm just
thrilled to to be a part of

327
00:17:43,520 --> 00:17:45,320
this.
Yeah.

328
00:17:46,800 --> 00:17:50,240
I would say definitely the power
of kind of reflection is the

329
00:17:50,240 --> 00:17:52,400
biggest thing for me kind of
reading a script like this and

330
00:17:52,400 --> 00:17:56,320
just the beauty and power that a
character and the character arc

331
00:17:56,320 --> 00:17:57,720
that we've been talking about
can have.

332
00:17:58,360 --> 00:18:00,560
Reading it in a script is one
thing, and then seeing it on the

333
00:18:00,560 --> 00:18:03,520
screen, it can come across
entirely differently in, you

334
00:18:03,520 --> 00:18:05,160
know, a great way, in such a
positive way.

335
00:18:05,160 --> 00:18:08,600
So I am pretty lucky to be close
with my family.

336
00:18:08,800 --> 00:18:12,680
I'm actually a triplet.
So it's fun to, yeah, have two

337
00:18:12,680 --> 00:18:14,960
people the same age of me out
there, you know, out there, a

338
00:18:14,960 --> 00:18:19,000
brother and a sister.
But yeah, just again, in terms

339
00:18:19,000 --> 00:18:22,240
of reflection, it's just that
you, you can always be so close,

340
00:18:22,240 --> 00:18:25,440
but then sometimes just also not
have ideas of kind of what's

341
00:18:25,440 --> 00:18:27,320
going on with some of your
family members.

342
00:18:27,320 --> 00:18:31,560
So it's just a reminder to ask
and check in sometimes and just

343
00:18:31,560 --> 00:18:33,280
really, you know, stay
connected.

344
00:18:34,880 --> 00:18:39,720
Once Guys Night is complete and
audiences are seeing it, Nico,

345
00:18:39,720 --> 00:18:43,160
what's your biggest desire for
what people take away from it?

346
00:18:44,400 --> 00:18:51,000
My biggest desire is for people
to see this as a way to connect

347
00:18:51,000 --> 00:18:55,480
with themselves, to reconnect
with their own family in, in a

348
00:18:55,480 --> 00:19:00,880
sense to, I want this to serve
as, as somewhat of a way to, to

349
00:19:00,880 --> 00:19:07,040
help heal and to show that, you
know, I, I think I wanted to

350
00:19:07,040 --> 00:19:09,960
relate somehow to, to people, to
have them feel like, you know

351
00:19:09,960 --> 00:19:14,560
what, like it's, it's OK to
watch, to experience somebody

352
00:19:14,560 --> 00:19:19,040
else's trauma, family trauma and
to know that it's very

353
00:19:19,040 --> 00:19:21,160
universal.
How, you know, everyone's trauma

354
00:19:21,160 --> 00:19:24,280
is, is different and
dysfunction, family is, is all

355
00:19:24,280 --> 00:19:26,480
different.
But my biggest take away is that

356
00:19:26,480 --> 00:19:29,400
I hope that it, it provides a
sense of, of healing to, to

357
00:19:29,400 --> 00:19:31,360
people, whether it's within
their families, within

358
00:19:31,360 --> 00:19:34,120
themselves, within a, a
community.

359
00:19:34,400 --> 00:19:38,040
We want more than just this film
to be on screen and to do well

360
00:19:38,040 --> 00:19:41,800
in festivals and to get picked
up by network or streaming.

361
00:19:41,800 --> 00:19:45,720
We wanted to, we want to extend
it to organizations that are

362
00:19:45,720 --> 00:19:51,520
already doing the work and have
this serve as a tool to, to, to

363
00:19:51,520 --> 00:19:55,000
help and just to implement in
their work that that they're

364
00:19:55,000 --> 00:19:58,880
already doing just to show a, a
visual because I feel like there

365
00:19:58,880 --> 00:20:01,400
aren't many visual tools out
there like.

366
00:20:02,000 --> 00:20:04,640
Feature films that people can
really just absorb.

367
00:20:05,160 --> 00:20:06,800
So I that's, that's the biggest
hope.

368
00:20:06,800 --> 00:20:10,320
I want this to extend just
beyond the screen and serve as a

369
00:20:10,320 --> 00:20:14,200
tool for for healing.
Dave or Andrew, anything you

370
00:20:14,200 --> 00:20:16,400
want to add on top of that for
what you hope people take away

371
00:20:16,400 --> 00:20:18,840
from this?
I, I just want to second what he

372
00:20:18,840 --> 00:20:20,080
said.
That's a big one.

373
00:20:20,360 --> 00:20:22,720
I mean, Academy Award, I mean,
come on.

374
00:20:22,720 --> 00:20:24,600
That's that's what we that's
what we want.

375
00:20:25,360 --> 00:20:31,080
But no the just to to affect.
The academy's listening is is.

376
00:20:33,440 --> 00:20:35,400
Affecting people, I mean, how
powerful is that?

377
00:20:35,400 --> 00:20:37,880
You know, and that's, that's
what I that's what, you know,

378
00:20:37,880 --> 00:20:39,960
that's what we all love about
movies that, you know, when you

379
00:20:39,960 --> 00:20:43,320
just sit there and you just and
you used a great word, absorb.

380
00:20:43,400 --> 00:20:45,880
You know, I just want people to
be able to absorb this movie in.

381
00:20:46,200 --> 00:20:49,800
But yeah, that's you want, you
want to make something that's

382
00:20:49,800 --> 00:20:52,840
meaningful and, and and that
really changes people and

383
00:20:52,840 --> 00:20:56,360
effects them and makes them cry,
makes them laugh that at all.

384
00:20:57,200 --> 00:20:59,120
I would I would second all of
that.

385
00:20:59,120 --> 00:21:02,320
Maybe just add that, yeah, to
show people that even in the

386
00:21:02,320 --> 00:21:05,400
rough times, there's still
positivity to be found and

387
00:21:06,120 --> 00:21:08,320
within yourself, within your
family, within your community.

388
00:21:08,320 --> 00:21:10,640
So don't, don't look away from
all of that.

389
00:21:10,640 --> 00:21:13,040
And I hope that people realize
that once they do watch this

390
00:21:13,040 --> 00:21:15,280
movie.
And you've as a child of

391
00:21:15,280 --> 00:21:17,880
divorce, was there anything in
the script or anything that's

392
00:21:17,920 --> 00:21:22,160
that's been shot thus far that
really mirrored your life and

393
00:21:22,160 --> 00:21:25,120
made you go like, wow, how did
how did we both have the same?

394
00:21:25,120 --> 00:21:26,880
Experience.
Yeah, I mean, as a matter of

395
00:21:26,880 --> 00:21:29,480
fact, it and I didn't realize
this until I thought about it

396
00:21:29,480 --> 00:21:31,880
after some time.
I had guys night too.

397
00:21:31,880 --> 00:21:38,640
I mean, you know that our my dad
moved out and I lived with my

398
00:21:38,640 --> 00:21:42,040
mom and my brother and for the
first time, you know, he was

399
00:21:42,280 --> 00:21:45,760
busy trying to make a living and
not home a whole lot.

400
00:21:45,760 --> 00:21:48,280
It was a it was a good dad.
We had a nice tight family

401
00:21:48,800 --> 00:21:53,160
structure, thank goodness.
But like I said, at 11, parents

402
00:21:53,160 --> 00:21:55,320
got divorced, dad moved out, got
his own apartment.

403
00:21:55,320 --> 00:21:58,840
And suddenly on weekends, we
were going over to dads having

404
00:21:58,840 --> 00:22:02,400
slumber parties and he was
taking us us out to play pool

405
00:22:02,400 --> 00:22:05,080
and movies, you know, saw a
bunch of it.

406
00:22:05,200 --> 00:22:10,280
It's like it was a blast out to
dinner, just my brother, my dad

407
00:22:10,280 --> 00:22:12,360
and I.
And I realized that that was and

408
00:22:12,360 --> 00:22:15,280
that went on for years.
It was very, very cool.

409
00:22:16,320 --> 00:22:18,520
And it's just something that
hadn't happened before, you

410
00:22:18,520 --> 00:22:21,080
know?
And so in in effect, that was

411
00:22:21,440 --> 00:22:25,280
basically guys night.
So, yeah, I could relate.

412
00:22:26,320 --> 00:22:28,720
And it it, it was very, it was
just healthy.

413
00:22:28,800 --> 00:22:33,200
You know, I didn't get too
disturbed by the divorce because

414
00:22:33,200 --> 00:22:34,880
again, I thought it was, you
know, this is fun.

415
00:22:35,320 --> 00:22:38,120
My brother's a little older.
He was 14 at the time, and he

416
00:22:38,120 --> 00:22:41,400
seemed to go very deep.
I think it really bothered him

417
00:22:41,400 --> 00:22:45,640
and he's a quiet guy.
So I, you know, I, I, I don't

418
00:22:45,680 --> 00:22:50,880
know how badly, but I, I don't
think it affected him as happily

419
00:22:50,880 --> 00:22:52,760
as, as I, I thought it was
great.

420
00:22:53,800 --> 00:22:56,680
We were having fun.
You resonate with any character.

421
00:22:56,720 --> 00:22:59,040
The youngest son, probably.
He's just like I get.

422
00:22:59,360 --> 00:23:01,880
I think so of everything. 2
birthdays.

423
00:23:02,000 --> 00:23:05,200
Exactly.
Yeah, yeah, yeah.

424
00:23:05,800 --> 00:23:08,440
Yeah, so my parents divorced.
That was 50.

425
00:23:08,440 --> 00:23:10,960
Wow, the holidays, Earth Days
made it kind of.

426
00:23:10,960 --> 00:23:12,920
But yeah, I have.
I have no memory of my parents

427
00:23:12,920 --> 00:23:14,960
being together.
Oh, like I just don't.

428
00:23:15,080 --> 00:23:16,560
Remember that.
Time.

429
00:23:17,520 --> 00:23:20,960
Movies were a big deal, like I,
my dad would pick me up every

430
00:23:20,960 --> 00:23:23,960
Sunday and I don't say I want to
see this movie and love it was

431
00:23:23,960 --> 00:23:27,720
to escape my life, but I wanted
to live someone else's life.

432
00:23:27,720 --> 00:23:30,760
And but yeah, the big screen
always just a welcoming place

433
00:23:30,760 --> 00:23:34,640
and I'd see everything possibly.
That yeah, it's just a cool like

434
00:23:35,040 --> 00:23:36,600
bonding time I.
Think this?

435
00:23:37,800 --> 00:23:40,680
Well, my, my dad was a smoker
then, so he'd smoke and to go

436
00:23:40,680 --> 00:23:42,400
walk, smoke and move and I come
back and I had to give him an

437
00:23:42,400 --> 00:23:44,040
update.
So I'd like become a film critic

438
00:23:44,040 --> 00:23:46,480
and be quietly, you know,
getting up to speed every time

439
00:23:46,480 --> 00:23:50,080
we saw a movie.
And this movie fan, is there

440
00:23:50,080 --> 00:23:52,840
anything coming out this summer
or this year that you guys are

441
00:23:52,840 --> 00:23:56,320
excited to to see yourselves?
Today I'm excited to see

442
00:23:56,320 --> 00:23:58,360
Superman.
I don't have tickets today.

443
00:23:58,360 --> 00:24:00,920
I'm one of those where I'm like,
I'm not, I'm going to wait till

444
00:24:00,920 --> 00:24:02,080
the rush is over with a little
bit.

445
00:24:02,080 --> 00:24:04,280
I know it's bad because they've
liked that first weekend box

446
00:24:04,280 --> 00:24:06,560
office.
I'm excited to see that I just

447
00:24:06,560 --> 00:24:09,400
as a kid, like I grew up like
that was my favorite superhero

448
00:24:09,400 --> 00:24:11,640
of all time.
Christopher Reeves will always

449
00:24:11,640 --> 00:24:15,200
be my Superman, But I just love
the the story of it.

450
00:24:15,200 --> 00:24:17,960
And I mean, there's plenty of
pictures of me as a child in my

451
00:24:18,200 --> 00:24:20,560
my favorite Superman shirt
wearing all the time.

452
00:24:20,880 --> 00:24:26,200
And I think that that actually
like the idea of Superman of

453
00:24:26,200 --> 00:24:27,720
like wanting to be the
superhero.

454
00:24:27,720 --> 00:24:33,800
This Superman always gave me the
hope that I could like be super

455
00:24:33,800 --> 00:24:37,720
or grow or as a kid thinking
silly, thinking I could fix my

456
00:24:37,720 --> 00:24:41,560
parents, fix their their
divorce, or I just wanted to be

457
00:24:41,560 --> 00:24:45,400
strong so I can mend our broken
family back together.

458
00:24:45,640 --> 00:24:49,400
So I think like the kid in me
when I heard Superman was coming

459
00:24:49,400 --> 00:24:52,360
out was just like, heck yeah.
And then they dealt with me.

460
00:24:52,360 --> 00:24:55,200
It was like, hell yeah.
I don't think you'll see that

461
00:24:55,520 --> 00:24:57,040
because it's Superman.
It's just awesome.

462
00:24:57,040 --> 00:25:00,000
So by far, like that's like the
one that stands out to me

463
00:25:00,000 --> 00:25:02,360
immediately.
By the way, another cool thing,

464
00:25:02,720 --> 00:25:05,920
a cool thing about this movie is
it takes place in 1985, most of

465
00:25:05,920 --> 00:25:07,960
it.
And how fun is that?

466
00:25:07,960 --> 00:25:09,880
I mean, we're going to be
shooting, you know, I mean, it

467
00:25:10,200 --> 00:25:13,440
adds a whole lot of complication
to the shoot, but we will pull

468
00:25:13,440 --> 00:25:14,680
that off.
So nostalgic.

469
00:25:14,720 --> 00:25:18,800
I mean, yeah, it's nostalgic and
it's it's so we're shooting it

470
00:25:18,800 --> 00:25:22,400
in the same town right near the
house where Nico grew up,

471
00:25:22,400 --> 00:25:25,360
actually.
Small neighborhood and at the

472
00:25:25,360 --> 00:25:29,200
same time placing it it's it's
very, very cool so it's.

473
00:25:29,560 --> 00:25:34,240
Going to give the the old 80s
just like feel good or just that

474
00:25:34,240 --> 00:25:36,680
old 80s vibe like like those old
80s films.

475
00:25:36,680 --> 00:25:38,560
Just going to give it that that
feeling again.

476
00:25:39,320 --> 00:25:41,080
Yeah, and everyone's coming out
of the woodworks with all of

477
00:25:41,080 --> 00:25:43,200
their classic 80s decorations
too.

478
00:25:43,200 --> 00:25:44,520
It's great.
Oh my God.

479
00:25:44,520 --> 00:25:46,760
Bars I mean.
Like, oh, that's perfect.

480
00:25:46,760 --> 00:25:49,080
That takes us straight.
Back to the yeah, we have so

481
00:25:49,080 --> 00:25:52,280
many people who are willing to
to donate a lot of of props and

482
00:25:52,520 --> 00:25:55,160
vehicles.
Even we have a group in hometown

483
00:25:55,800 --> 00:25:59,720
that runs a car show and we
already have a lot of their

484
00:25:59,720 --> 00:26:02,520
vehicles that we're going to be
able to use some late 70s, early

485
00:26:02,520 --> 00:26:05,080
80s vehicles.
We'll be able to use just a

486
00:26:05,080 --> 00:26:08,200
place throughout certain areas
and and hometown itself.

487
00:26:08,600 --> 00:26:12,000
For people that don't know it's
set, it's still dated and set in

488
00:26:12,000 --> 00:26:14,640
the 80s.
Most of it is, you know, it's

489
00:26:14,640 --> 00:26:18,280
like Dave was saying, it's it's
challenging because for any

490
00:26:18,400 --> 00:26:20,480
period film, you have to be able
to shoot it, right?

491
00:26:20,480 --> 00:26:21,800
But that's the beauty of
filmmaking.

492
00:26:21,800 --> 00:26:24,640
You know, you can frame it and
cinematography set up with a

493
00:26:24,640 --> 00:26:27,240
director and a cinematographer
can capture an image and

494
00:26:27,240 --> 00:26:29,280
everything else around it.
You would see like it's like

495
00:26:29,640 --> 00:26:35,160
2025, but just that image, that
frame will show 1985.

496
00:26:35,440 --> 00:26:38,040
And it's going to be like, it's
really exciting just to kind of

497
00:26:38,040 --> 00:26:41,320
like, go back.
Can't get any smartphones in the

498
00:26:41,320 --> 00:26:42,600
shot.
We can't have anything in the

499
00:26:42,600 --> 00:26:44,760
background that's like a a
modern car.

500
00:26:44,760 --> 00:26:46,440
Anything after it.
I mean, think about it just

501
00:26:46,440 --> 00:26:47,400
like.
We really have.

502
00:26:48,520 --> 00:26:51,200
You know, be precious about what
goes in that frame.

503
00:26:51,240 --> 00:26:53,560
So that's the fun of it.
The whole 80s vibe.

504
00:26:54,360 --> 00:26:56,000
Yeah, as far as it's still going
strong, it's.

505
00:26:56,160 --> 00:26:58,600
Amazing people, people love it
and that's a big thing too.

506
00:26:58,600 --> 00:27:02,080
I feel like if anything, the
nostalgia of the the film will

507
00:27:02,080 --> 00:27:06,120
will kind of tap people into to,
to the actual true story, you

508
00:27:06,120 --> 00:27:08,760
know, behind it all.
So that will be enjoyable.

509
00:27:09,440 --> 00:27:11,320
So if anything, they'll get some
nostalgia out of it.

510
00:27:12,240 --> 00:27:16,000
And and how can listeners
support help out, contribute to

511
00:27:16,000 --> 00:27:18,120
guys?
Night, well they can.

512
00:27:18,800 --> 00:27:22,560
You know, I would say that if
the story resonates with you, we

513
00:27:22,680 --> 00:27:24,960
love your support.
As I mentioned earlier guys

514
00:27:24,960 --> 00:27:28,200
Night is fiscally sponsored by
IFA Chicago.

515
00:27:28,720 --> 00:27:33,360
They are A5O1C3 organization.
So that means all donations are

516
00:27:33,360 --> 00:27:38,400
100% tax deductible and every
dollar just brings us closer to

517
00:27:38,400 --> 00:27:42,400
production.
So you can donate at a website

518
00:27:42,400 --> 00:27:47,960
calledgivebutter.com/guys Night.
You can also, I'm going to hold

519
00:27:47,960 --> 00:27:51,040
this up here too if that's cool.
You can scan this QR code.

520
00:27:51,040 --> 00:27:54,600
Can you guys see it?
You can scan this QR code.

521
00:27:54,600 --> 00:27:58,840
It'll take you to that site
which has our pitch video on it.

522
00:27:58,840 --> 00:28:01,880
It's a great video which
explains our entire story from

523
00:28:01,880 --> 00:28:04,400
where we started to where we are
now and where we want to go in

524
00:28:04,400 --> 00:28:06,560
the future with this, with this
film in this project.

525
00:28:06,840 --> 00:28:08,480
And there's our donor portal on
there as well.

526
00:28:08,480 --> 00:28:11,680
So as I said, every dollar
brings us closer to productions.

527
00:28:12,080 --> 00:28:15,320
In addition to that, for those
who may be looking to go a step

528
00:28:15,320 --> 00:28:18,920
further, we also offer some
investor opportunities with a

529
00:28:18,920 --> 00:28:23,600
promising ROI potential thanks
to our Illinois tax credit

530
00:28:23,600 --> 00:28:27,080
approval and our already secured
distribution.

531
00:28:27,760 --> 00:28:30,200
We're working with the
distributor Freestyle Media

532
00:28:30,440 --> 00:28:32,120
already who've who've come on
board.

533
00:28:32,240 --> 00:28:36,360
We can create tailored proposals
across different equity tiers so

534
00:28:36,360 --> 00:28:39,800
that if that is of interest to
anyone who wants to potentially

535
00:28:39,800 --> 00:28:42,200
invest, you can reach out to us
directly at

536
00:28:42,280 --> 00:28:48,440
info@guysnightmovie.com.
So whether you donate or invest,

537
00:28:49,160 --> 00:28:52,360
you're helping to bring a
healing, heartfelt story to

538
00:28:52,360 --> 00:28:56,560
life, one that reminds fathers
and sons everywhere that it's

539
00:28:56,560 --> 00:29:00,160
never too late to connect, to
open up, and to love a little

540
00:29:00,160 --> 00:29:03,000
louder.
A a question I ask all guests

541
00:29:03,000 --> 00:29:06,560
how real men feel, and I'm going
to ask each of you today, what

542
00:29:06,560 --> 00:29:09,360
is one thing that you wish more
men knew?

543
00:29:10,240 --> 00:29:11,240
Oh, good question.
Yeah.

544
00:29:11,880 --> 00:29:15,200
So do you want to take it away?
Yeah, who started this one?

545
00:29:17,240 --> 00:29:21,760
Listen, I wish more men would
just listen.

546
00:29:22,560 --> 00:29:26,400
I've learned in my life and my
relationships, I've had a

547
00:29:26,400 --> 00:29:30,520
tendency to want to fix, to just
automatically want to come in

548
00:29:30,520 --> 00:29:35,480
and help and fix and please.
So it's taken a lot to take a

549
00:29:35,480 --> 00:29:40,120
step back and to release that
control that that desire and

550
00:29:40,120 --> 00:29:44,680
just to absorb, like I said
before and listen and then

551
00:29:45,040 --> 00:29:52,000
redirect and figure out how to
how I can be of, of help and not

552
00:29:52,000 --> 00:29:55,000
provide a solution, but to be of
help to whatever the situation

553
00:29:55,120 --> 00:29:58,320
or circumstance may be.
So I think in one word, I wish

554
00:29:58,440 --> 00:30:02,320
more men would just listen,
whether it's to yourself, to

555
00:30:02,320 --> 00:30:06,360
your, to your wife, to your
parents, to your, to your kids.

556
00:30:07,080 --> 00:30:09,520
I just think that's that's the
biggest thing.

557
00:30:10,600 --> 00:30:13,280
Excellent.
And Andrew?

558
00:30:14,320 --> 00:30:16,000
If you want to go, Dave, I can,
I can, I say.

559
00:30:17,120 --> 00:30:21,800
Get get control of their egos be
and be honest.

560
00:30:21,960 --> 00:30:25,320
Those kind of go together
because you know guys, a lot of

561
00:30:25,320 --> 00:30:29,320
guys just BSA lot and you just
don't know and that's just ego,

562
00:30:29,320 --> 00:30:32,680
you know, it's insecurity.
And so, yeah, I just think that

563
00:30:32,800 --> 00:30:37,080
the world be a much better place
if men could just get control of

564
00:30:37,080 --> 00:30:41,840
their egos and just, you know,
stop trying to one up, one up

565
00:30:41,840 --> 00:30:45,760
and and be like, this isn't
bothering me or I got this, I

566
00:30:45,760 --> 00:30:47,520
got this.
It's like, be honest, you know,

567
00:30:47,960 --> 00:30:49,960
like I, I saw you had a T-shirt
the other day.

568
00:30:49,960 --> 00:30:51,800
Vulnerable AFI love that one
too.

569
00:30:54,840 --> 00:30:57,680
And I'll add to kind of
piggybacking up Nico a little

570
00:30:57,680 --> 00:31:01,600
bit, but just, you know, learn
how to empathize with people,

571
00:31:01,640 --> 00:31:03,880
right?
I think that he's a big thing

572
00:31:03,880 --> 00:31:06,000
that has gone for, you know, a
lot.

573
00:31:06,120 --> 00:31:07,120
A lot of people need to learn
it.

574
00:31:07,120 --> 00:31:09,440
But you know, going with
listening and with egos,

575
00:31:09,440 --> 00:31:12,800
especially, you know, our
community to men, I think if we

576
00:31:12,800 --> 00:31:15,800
can learn how to emphasize
better and then communicate

577
00:31:16,920 --> 00:31:19,720
those feelings as well, Not just
internalize them, but

578
00:31:20,320 --> 00:31:24,240
communicate them in a effective
manner that really helps people

579
00:31:24,240 --> 00:31:26,160
understand what you're thinking.
But then also helps you

580
00:31:26,160 --> 00:31:29,840
understand how reasons for why
other people might be acting the

581
00:31:29,840 --> 00:31:32,040
way that they're acting.
So who knows what's happening,

582
00:31:32,040 --> 00:31:34,960
what's going on, but don't make
those assumptions that oh,

583
00:31:34,960 --> 00:31:36,800
they're acting this way because
of XY or Z.

584
00:31:36,800 --> 00:31:40,600
But really take the moment to
emphasize and and understand

585
00:31:41,200 --> 00:31:44,360
just people.
When, when I was a kid, they

586
00:31:44,360 --> 00:31:47,520
were really just two films that
men of all ages were allowed to

587
00:31:47,520 --> 00:31:51,120
have an emotional reaction to. 1
was Brian's Song and the other

588
00:31:51,120 --> 00:31:54,240
was Old Yeller.
So my greatest hope for you is

589
00:31:54,240 --> 00:31:58,920
that you create something that
allows men to feel and that they

590
00:31:58,920 --> 00:32:01,440
do so.
But I want to thank you for

591
00:32:01,440 --> 00:32:04,640
joining me today.
I know independent film can be

592
00:32:04,640 --> 00:32:07,240
years and years and years in the
making and, and you've having

593
00:32:07,240 --> 00:32:09,040
that experience.
So I, I really hope this is the

594
00:32:09,040 --> 00:32:10,360
year that things come to
fruition.

595
00:32:10,840 --> 00:32:13,680
We'll have all the links to
support and contribute to the

596
00:32:13,960 --> 00:32:18,160
the production in the show notes
and I look forward to seeing the

597
00:32:18,160 --> 00:32:19,080
final.
Result Thank you.

598
00:32:19,080 --> 00:32:21,920
Thank you for having us.
Thank you to the listeners and

599
00:32:21,920 --> 00:32:24,280
viewers as well.
And just for the overall welcome

600
00:32:24,280 --> 00:32:28,080
and this and the support we we
hope to be able to provide that

601
00:32:28,080 --> 00:32:32,240
that film to everyone.
Huge thanks to Nico, Dave, and

602
00:32:32,240 --> 00:32:35,240
Andrew for sharing not just
their film, but themselves.

603
00:32:35,760 --> 00:32:39,240
Guys Night is more than a movie.
It's a mirror held up to modern

604
00:32:39,240 --> 00:32:42,960
fatherhood, emotional honesty,
and the evolving definition of

605
00:32:42,960 --> 00:32:45,760
masculinity.
If you're a man who's tired of

606
00:32:45,760 --> 00:32:47,880
pretending you have it all
together and you're ready to

607
00:32:47,880 --> 00:32:50,880
connect with other men that are
keeping it real, join us in the

608
00:32:50,880 --> 00:32:54,960
authentic AF community at
realmenfeel.org/group.

609
00:32:54,960 --> 00:32:58,200
And until next time, be good to
yourself.

Niko Vitacco Profile Photo

Writer / Producer / Actor

Niko Vitacco is a Chicago-born actor, writer, and producer with a passion for emotionally
resonant storytelling. He is best known for his award-winning lead role and producer credit on
The Elephant in the Room, which earned accolades including “Best Comedy Duo” (LA Film
Awards), “Emerging Talent” (Alaska International Film Festival), and “Best Acting Debut” (Flicks
Film Festival). His recent work includes national commercials and a recurring role in the Merrell
Twins’ hit YouTube series Prom Knight.
A proud alumnus of The Second City, Niko began his career in Chicago before moving to Los
Angeles, where he continued training at The Groundlings and Improv Olympic West, and
studied the Warner Loughlin acting technique. In 2022, he founded Frunchroom Films to
develop projects that reflect the complexity of family life, fatherhood, and resilience. His debut
feature, Guys Night, is currently in late development under fiscal sponsorship from IFA Chicago
and has received early support from the local community and industry partners. As a filmmaker
and performer, Niko is dedicated to using storytelling as a tool for connection, healing, and
social impact.

Dave Eichhorn Profile Photo

Director / Editor / Sound Designer

Dave is a multiple award-winning filmmaker, editor, and sound designer with more than 35 years
in the business and over 300 credits on feature films, network TV shows, documentaries and
commercials. To date, he's earned 3 Primetime Emmys, 12 Emmy nominations, 5 MPSE
Golden Reel awards, 15 Golden Reel nominations, and an RIAA Gold Record. Dave's resume
includes projects for Disney, Netflix, HBO, Amazon, Universal, NBC, Showtime, Hallmark &
many more, and his rather unusual but comprehensive skill set has landed him work with a
who's who list of top-name Hollywood producers & directors, including Jon Voight, Ernest
Dickerson, Betty Thomas, Jon Turtletaub & Keenan Ivory Wayans.
Growing up in Columbus, Ohio, Dave was fascinated with photography, movies, & sound
recording -- and he admittedly spent a lot of what he calls "nerdy alone time" creating audio skits
and short films. At the age of 21, on the advice of his film school professor, he drove himself to
Los Angeles. Armed with a barely-there resume, he started 'sneaking thru the gates' of the
major studios - a feat that was much easier then than it is now. His first big break was editing
hour-long documentaries for National Geographic. A short time later he grabbed the opportunity
to become Hollywood's youngest supervising sound editor, responsible for managing the entire
audio post process for features & TV shows. Part of that job involved directing A-list talent on
the ADR stage - including Robert… Read More

Andrew Baird Profile Photo

Producer

Andrew hails from Littleton, Colorado. Graduating Colorado College with a mathematical
economics degree, he worked as an operations and financial analyst for DaVita Healthcare
Partners for close to four years. He came to Los Angeles with DaVita, but soon found a passion
in writing and producing.
Baird quickly made the move to a start up production company Armory Films (Mudbound,
Peanut Butter Falcon, Arctic). There he learned the ins-and-outs of the production world, from
initial financing and development to end product distribution, under the guidance of Armory
Films and award winning producer Cassian Elwes.
Andrew has traveled the world for film projects, from India to Wales and across the United
States. He has fully produced a number of feature films, with his most recent few being based in
Denver, CO, where he is continuing to help build the feature film community and bring more
opportunities to the Centennial State. He is a passionate, creative individual who loves working
with writers and directors of all levels.
When not in the creative space, you will find Andrew doing anything outdoors, from surfing to
hiking to rock climbing and road biking.